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In this wide-ranging and original account of Modernism, Michael Levenson draws on more than twenty years of research and a career-long fascination with the movement, its participants, and the period during which it thrived. Seeking a more subtle understanding of the relations between the period's texts and contexts, he provides not only an excellent survey but also a significant reassessment of Modernism itself.Spanning many decades, illuminating individual achievements and locating them within the intersecting histories of experiment (Symbolism to Surrealism, Naturalism to Expressionism, Futurism to Dadaism), the book places the transformations of culture alongside the agitations of modernity (war, revolution, feminism, psychoanalysis). In this perspective, Modernism must be understood more broadly than simply in terms of its provocative works, experimental forms, and singular careers. Rather, as Levenson demonstrates, Modernism should be viewed as the emergence of an adversary culture of the New that depended on audiences as well as artists, enemies as well as supporters.
modernisme --- cultuurgeschiedenis --- avant-garde --- Wereldoorlog I --- gender --- 19de eeuw --- 20ste eeuw --- Modernism (Literature) --- 82.015 --- 82 "19" --- 82 "19" Literatuur. Algemene literatuurwetenschap--20e eeuw. Periode 1900-1999 --- Literatuur. Algemene literatuurwetenschap--20e eeuw. Periode 1900-1999 --- 82.015 Literaire stromingen --- Literaire stromingen --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Literary movements. --- Movements, Literary --- Literature --- Modernisme (littérature) --- modernisme. --- cultuurgeschiedenis. --- avant-garde. --- Wereldoorlog I. --- gender. --- 19de eeuw. --- 20ste eeuw.
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"Art is often seen as a solitary, even a reclusive, endeavor. But visual artists, writers, and musicians often find themselves energized by a collective environment. Sharing ideas around a table has always provided a starting, and a continuing, place for fruitful exchanges between artists of all kinds. In her wide-ranging new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. Creative Gatherings surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists' colonies. Examples include Florence Griswold's house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague's Le Louvre caf , haunt of Kafka and Einstein; Picasso's modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the caf s of Saint-Germain-des-Pr s and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith. Interweaving two hundred examples of collaborative artworks throughout the text, with more than one hundred in color, Creative Gatherings is a beautiful, erudite commingling as inspiring as the gathering places Caws depicts."--Publisher's description.
Modernism (Art) --- Artists --- Art, Modern --- Social networks. --- Social life and customs. --- Modernism (Literature) --- Literary landmarks --- kunst --- kunstgeschiedenis --- kunstenaars --- salons --- kunst en literatuur --- negentiende eeuw --- twintigste eeuw --- modernisme --- kunstenaarskolonies --- 7.036 --- Artist colonies --- Art colonies --- Artists' colonies --- Colonies, Artist --- Authors --- Landmarks, Literary --- Historic buildings --- Literature --- Persons --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Homes and haunts --- History and criticism --- kunstenaarsgroeperingen --- moderne kunst --- 19de eeuw --- 20ste eeuw --- kunstenaarsgroeperingen. --- modernisme. --- moderne kunst. --- 19de eeuw. --- 20ste eeuw.
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